"The Eye of the Blackbird: No. 5, Icicles" by Geoffrey Poole, James Gilchrist, Nathan Williamson had its release date on January 21, 2022. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Eye of the Blackbird: No. 5, Icicles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "One Hundred Years of British Song, Vol. 3". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Eye of the Blackbird: No. 5, Icicles's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Eye of the Blackbird: No. 5, Icicles by Geoffrey Poole, James Gilchrist, Nathan Williamson having a テンポ of 155 with a half-time of 78 テンポ and a double-time of 310 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
O Sons and Daughters | Henry Walford Davies, Choir of King's College, Cambridge, Stephen Cleobury, Parker Ramsay | G Minor | 1 | 6A | 132 BPM | ||
Ein henlein weis | Antonio Scandello, Scandello Antonio, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Fifty Years, Come April | Geoffrey Poole | A Minor | 0 | 8A | 103 BPM | ||
String Quartet No. 3: IV. Ofanverthrdag (Heat, fantasy, instability) - Mid-aften (Dusk, responds to Morgan) - Ondverthnott (Darkness envelops) | Geoffrey Poole, Lindsay String Quartet | A Major | 0 | 11B | 138 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Psalm 130: Israel hoffet auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 2 | 7A | 88 BPM | ||
Allegri: Miserere - 11. Tunc acceptabis | Gregorio Allegri, Peter Phillips, The Tallis Scholars | G Minor | 0 | 6A | 84 BPM |