"Bram Stoker's Dracula: Mina / Elizabeth" by Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 3 out of 18. Based on our statistics, Bram Stoker's Dracula: Mina / Elizabeth's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bram Stoker's Dracula: Mina / Elizabeth by Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bram Stoker's Dracula: The Brides | Wojciech Kilar, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 3 | 8A | 47 BPM | ||
For the Hungry Boy | Jonny Greenwood | C Major | 1 | 8B | 86 BPM | ||
Quantum of Solace: A Night at the Opera | Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
Moving In | George Fenton | D♭ Minor | 1 | 12A | 118 BPM | ||
Celesta Taboo Lament (Title Edit) - Bonus Track | Max Richter | G Major | 3 | 9B | 170 BPM | ||
Smoke | Lesley Barber | G Minor | 1 | 6A | 76 BPM | ||
Pieces Of A Woman | Howard Shore, Ludwig Wicki | D Minor | 1 | 7A | 132 BPM | ||
Diana | Aaron Zigman, Aaron Zigman Ensemble | G Minor | 0 | 6A | 65 BPM | ||
Requiem pour le Père Kolbe | Wojciech Kilar, Orchestre Philharmonique National de Pologne | E Minor | 1 | 9A | 83 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM |