"Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not"" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel was released on January 1, 1997. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 7 out of 44. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elijah, Op. 70, MWV A25 / Part 1: "Yet doth the Lord see it not" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: II. Et exultavit (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Teresa Berganza, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 81 BPM | ||
The Dream of Gerontius, Op.38 / Part 1: "Jesu, Maria, I Am Near To Death" | Edward Elgar, Sir Peter Pears, Choir of King's College, Cambridge, London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | E♭ Major | 1 | 5B | 139 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Stabat Mater: 5. Eja Mater fons amoris | Gioachino Rossini, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | F Major | 0 | 7B | 136 BPM | ||
Mass No. 1 in D Minor, WAB 26: Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
Stabat Mater, FP 148: 6. Vidit suum | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 1 | 8B | 103 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM |