"Hallelujah Junction: 2nd Movement" by John Adams was released on May 4, 2004. The duration of Hallelujah Junction: 2nd Movement is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Hallelujah Junction: 2nd Movement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Road Movies". In this album, this song's track order is #5. Based on our statistics, Hallelujah Junction: 2nd Movement's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hallelujah Junction: 2nd Movement by John Adams having a テンポ of 153 with a half-time of 76 テンポ and a double-time of 306 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
Rachmaninoff: Prelude | Robin Freund-Epstein | A Major | 2 | 11B | 76 BPM | ||
Adams: Girls of the Golden West, Act II Scene 3: It seems like midnight | John Adams, Los Angeles Philharmonic, Davóne Tines, Daniela Mack, Ryan McKinny | A Major | 0 | 11B | 79 BPM | ||
Waltz in A Minor, Op. Posthumous | Diane Hidy | A Minor | 0 | 8A | 112 BPM | ||
Adams: Grand Pianola Music: Pt. 2. On the Dominant Divide | John Adams, San Francisco Symphony | E♭ Major | 3 | 5B | 116 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
The House on a Stage | Evgueni Galperine, Sacha Galperine | A♭ Minor | 0 | 1A | 111 BPM | ||
Infra 8 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | C Minor | 2 | 5A | 70 BPM | ||
Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (excerpt) | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | C Major | 2 | 8B | 99 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM |