"La traviata / Act I: "Un dì felice, eterea"" by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber was released on January 1, 1977. The duration of La traviata / Act I: "Un dì felice, eterea" is about 3 minutes long, at 3:05. Based on our data, "La traviata / Act I: "Un dì felice, eterea"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber. The song's track number on the album is #5 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of La traviata / Act I: "Un dì felice, eterea" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act I: "Un dì felice, eterea" by Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber has a tempo of 169 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata / Act I: "Un dì felice, eterea" being at 169 テンポ, the half-time would be 84 テンポ with a double-time of 338 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mattinata | Ruggero Leoncavallo, Jonas Kaufmann, Asher Fisch | E♭ Major | 2 | 5B | 172 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
La Forza Del Destino: Pace, Pace | Francesco Maria Piave, Miriam Gauci, Belgian Radio and Television Philharmonic Orchestra, Giuseppe Verdi | C Minor | 0 | 5A | 78 BPM | ||
Rigoletto, Act I: Gualtier Malde … Caro nome | Giuseppe Verdi, Maria Callas, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Major | 1 | 12B | 140 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè ... Caro nome..." - "+ là..." / "Miratela" (Gilda / Borsa, Ceprano, Coro, Marullo) | Giuseppe Verdi, Cheryl Studer, Paul Groves, Yanni Yannissis, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | E Major | 0 | 12B | 77 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Antonio Savastano, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 2 | 3A | 85 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra National de Paris | D♭ Major | 2 | 3B | 80 BPM |