"Estancia, Op. 8: Scene 3, La Tarde - Triste targe" by Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo was released on September 14, 2023. The duration of Estancia, Op. 8: Scene 3, La Tarde - Triste targe is about 3 minutes long, at 3:05. Based on our data, "Estancia, Op. 8: Scene 3, La Tarde - Triste targe" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 15 in Fandango by Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Estancia, Op. 8: Scene 3, La Tarde - Triste targe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Estancia, Op. 8: Scene 3, La Tarde - Triste targe by Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in F Major, [Op. 6, TrV 115], 1st Version: I. Allegro con brio | Richard Strauss, Raphaela Gromes | C Major | 2 | 8B | 172 BPM | ||
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Guido de Neve, Jan Michiels | D Major | 0 | 10B | 104 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": III. Allegro moderato | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Minor | 2 | 7A | 88 BPM | ||
Oberek No. 1 - Musical Moments | Grażyna Bacewicz, Bomsori, Julia Okruashvili | D Major | 5 | 10B | 140 BPM | ||
Malambo | Anonymous, Alberto Ginastera, Mexico Festival Orchestra, Enrique Bátiz | C Major | 7 | 8B | 81 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM |