Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's 'Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais)' came out on January 1, 2003. The duration of Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais) is about 3 minutes long, at 3:26. Based on our data, "Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï's "Marin Marais: Pieces De Viole Du Second Livre, 1701" album is number 9 out of 27. In terms of popularity, Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite En Mi Mineur: Rondeau Champêtre, II.104 (Marais) by Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaconne en sol majeur | Robert de Visée, Rolf Lislevand | F♯ Major | 1 | 2B | 121 BPM | ||
2 Lachrimæ Invocantis (Improvisation) | Xavier Puertas, Riccardo Minasi, Jordi Savall, Andrew Lawrence-King | E♭ Major | 0 | 5B | 112 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
Overture & Suite in E Minor "Tafelmusik" for 2 flutes and strings, TWV 55/e1: VI. Air; un peu vivement | Georg Philipp Telemann, Jordi Savall, Le Concert Des Nations | E♭ Minor | 1 | 2A | 102 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Ludi Musici: Courant Dolorosa | Samuel Scheidt, Jordi Savall | A Major | 1 | 11B | 48 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: 21. Grazioso | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | A♭ Major | 0 | 4B | 97 BPM | ||
Violin Concerto No. 3 in F Major "Autumn", RV 293: II. Adagio molto (with Sonnet) | Antonio Vilvaldi, Antonio Vivaldi, Jordi Savall, Alfia Bakieva, Les Musiciennes du Concert des Nations | C Major | 1 | 8B | 173 BPM | ||
I. 1459 El Tiempo de Maximiliano I (Rey de Roma 1486 y Emperador Germánico 1493) y de María de Borgoña (Duquesa De Borgoña 1477-1482): Dit Le Bourguygnon (Instrumental) | Ottaviano Petrucci, Jordi Savall, Hespèrion XXI | E Minor | 3 | 9A | 100 BPM | ||
Transitio (Improvisation) | Andrew Lawrence-King, Jordi Savall | D Minor | 1 | 7A | 119 BPM |