"12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny)" by Claude Debussy, Hans Henkemans had its release date on March 16, 2018. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claude Debussy, Hans Henkemans's "Hans Henkemans plays Debussy - The Philips recordings 1951-1957" album is number 25 out of 71. On top of that, Netherlands appears to be the country where this track was created. 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes, L.136: 1. Pour les "cinq doigts" (d'après Monsieur Czerny) by Claude Debussy, Hans Henkemans to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, L. 88 / Act 4: "C'est le dernier soir" | Claude Debussy, Pierre Mollet, Suzanne Danco, Orchestre de la Suisse Romande, Ernest Ansermet | A♭ Major | 0 | 4B | 135 BPM | ||
Malagueña | Ernesto Lecuona, Pierre Solot | F♯ Major | 1 | 2B | 81 BPM | ||
プレリュード第15番変ニ長調「雨だれ」作品28の15 | Mari Kumamoto | D♭ Major | 0 | 3B | 162 BPM | ||
Ballade No. 1 in C Major, Op. 7 | Dian Shuai, Miao Gao | G Minor | 1 | 6A | 77 BPM | ||
Children's Corner, L.113: 2. Jimbo's Lullaby | Claude Debussy, Hans Henkemans | C Major | 0 | 8B | 72 BPM | ||
Préludes / Book 1, L.117: 3. Le vent dans la plaine | Claude Debussy, Hans Henkemans | D♭ Major | 0 | 3B | 93 BPM | ||
Marche Funebre, Lento Excerpt | Dr. Jeffrey Thompson | D♭ Major | 0 | 3B | 66 BPM | ||
Lapsi, onnellisin mielin | Minna Erkkilä, SRK Instrumentaali, Aaron Ahola | B♭ Minor | 2 | 3A | 67 BPM | ||
Préludes Intérieurs, 1er Cahier: I | Jacques Desbrière, Elizabeth Sombart | B♭ Major | 0 | 6B | 68 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation 18 | Sergei Rachmaninoff, Park Eun Shik | F♯ Major | 0 | 2B | 70 BPM |