Manuel de Falla, Masamichi Amano, Kunitachi College of Music Blasorchester, Francois Boulanger's 'El sombrero de 3 picos (The 3-Cornered Hat): Suite No. 2 (arr. M. Amano): III. Final Dance: Jota' came out on May 2, 2012. El sombrero de 3 picos (The 3-Cornered Hat): Suite No. 2 (arr. M. Amano): III. Final Dance: Jota is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There is only one song in 2011 Midwest Clinic: Kunitachi College of Music Blasorchester, so we believe that "El sombrero de 3 picos (The 3-Cornered Hat): Suite No. 2 (arr. M. Amano): III. Final Dance: Jota" is a single. In terms of popularity, El sombrero de 3 picos (The 3-Cornered Hat): Suite No. 2 (arr. M. Amano): III. Final Dance: Jota is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of El sombrero de 3 picos (The 3-Cornered Hat): Suite No. 2 (arr. M. Amano): III. Final Dance: Jota by Manuel de Falla, Masamichi Amano, Kunitachi College of Music Blasorchester, Francois Boulanger is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Argentinas: No. 2, Danza de la moza donosa - Arr. for Harp | Alberto Ginastera, Marie-Pierre Langlamet | E Minor | 0 | 9A | 94 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
El amor brujo, Scene I (1915 Version): No. 3, Sortilegio | Manuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez | F♯ Minor | 1 | 11A | 102 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
El Amor brujo: Quadre Segon: Introduccion | Manuel de Falla, Ginesa Ortega, Josep Pons, Orquestra De Cambra Teatre Lliure | G Major | 0 | 9B | 85 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM |