"Scheherazade, Op. 35: III. Love Between the Tsarevich and the Princess. Andantino quasi allegretto" by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek was released on August 2, 2001. Scheherazade, Op. 35: III. Love Between the Tsarevich and the Princess. Andantino quasi allegretto appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Rimsky-Korsakov: Capriccio Espagnol, Scheherazade". In this album, this song's track order is #8. Scheherazade, Op. 35: III. Love Between the Tsarevich and the Princess. Andantino quasi allegretto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: III. Love Between the Tsarevich and the Princess. Andantino quasi allegretto by Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
Schubert: Hungarian Melody in B Minor, D. 817 | Franz Schubert, David Fray | C Minor | 1 | 5A | 75 BPM | ||
Gabriel's Oboe (From "The Mission") | Ennio Morricone, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Major | 2 | 10B | 84 BPM | ||
Albinoni / Arr. Giazotto: Adagio in G Minor | Tomaso Albinoni, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | C Minor | 1 | 5A | 66 BPM | ||
St. John's Night on Bald Mountain, "A Night on the Bare Mountain" (arr. N. Rimsky-Korsakov) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Finnish Radio Symphony Orchestra, Leif Segerstam | A Major | 2 | 11B | 79 BPM | ||
Song To The Moon - Excerpt From The Opera Rusalka | Gabriela Beňačková, Czech Philharmonic Orchestra | F♯ Major | 0 | 2B | 132 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling | G Major | 1 | 9B | 65 BPM | ||
Bachianas brasileiras No. 5, W. 389 (Arr. A. Lagoya for Guitar and Orchestra): 1. Aria | Heitor Villa-Lobos, Alexandre Lagoya, Academy of St. Martin in the Fields, Kenneth Sillito | A Minor | 0 | 8A | 116 BPM | ||
Ghost Variations - Thème | Robert Schumann, Jean-Marc Luisada | E♭ Major | 0 | 5B | 69 BPM | ||
Peugeot: Moldau (excerpt) | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 170 BPM |