"Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)" by George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Based on our statistics, Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Crux Fidelis (after "Ombra ma fu"- Xerses, HWV 40) by George Frideric Handel, Capricorn, Choir of New College, Oxford, Edward Higginbottom is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel: Music for the Royal Fireworks, HWV 351: II. Allegro - Lentement - Allegro | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 4 | 3B | 135 BPM | ||
Requiem, Op.48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 74 BPM | ||
L'incoronazione di Poppea, SV 308 / Act III: "Pur ti miro" | Claudio Monteverdi, Sylvia McNair, Dana Hanchard, English Baroque Soloists, John Eliot Gardiner | G Major | 0 | 9B | 125 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Messiah, HWV 56: Chorus: Hallelujah | George Frideric Handel, Sibylla Rubens, Ingeborg Danz, James Taylor, Thomas Quasthoff, Oregon Bach Festival Choir, The Oregon Bach Festival Orchestra, Helmuth Rilling | D Major | 2 | 10B | 94 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Magnificat | Alan Gray, Choir of New College, Oxford, Edward Higginbottom | C Minor | 2 | 5A | 123 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel & Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM |