Tomaso Albinoni, Luciano Miotto, Ji Eun Kim, Orchestra Barocca Giuseppe Nicolini, Michele Nitti's 'Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone)' came out on January 1, 2014. The duration of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 17 in Albinoni: Pimpinone by Tomaso Albinoni, Michele Nitti. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pimpinone: Intermezzo II: Aria: Guarda un poco (Pimpinone) by Tomaso Albinoni, Luciano Miotto, Ji Eun Kim, Orchestra Barocca Giuseppe Nicolini, Michele Nitti is Vivace (lively and fast), since this song has a tempo of 168 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Dido and Aeneas, Z. 626: Overture | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Minor | 2 | 10A | 91 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM |