Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck made "Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": IV. Menuet I - Menuet II. Doux" available on January 7, 2022. The duration of Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": IV. Menuet I - Menuet II. Doux is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": IV. Menuet I - Menuet II. Doux's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Sabine Fehlandt, Bernhard Forck's "Georg Philipp Telemann: Viola Concertos - Overtures - Fantasias" album is number 21 out of 33. On top of that, France appears to be the country where this track was created. In terms of popularity, Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": IV. Menuet I - Menuet II. Doux is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": Ouverture-Suite in G Minor, TWV 55:g2 "La Changeante": IV. Menuet I - Menuet II. Doux by Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | E♭ Minor | 2 | 2A | 128 BPM | ||
Fleuch der Lüste Zauberauen, TWV 1:550: No. 3, Zuletzt wird Fleisch und Angst, erliegen | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Sonata Da Chiesa No. 4 in F Major, Op. 5: II. Allegro | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | E Major | 4 | 12B | 122 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM |