"Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace)" by Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa was released on January 1, 2007. The duration of Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Prokofiev: Piano Concerto No. 2 in G minor, Op.16, Ravel: Piano Concerto in G major". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 2 In G Minor, Op. 16: 2. Scherzo (Vivace) by Sergei Prokofiev, YUNDI, Berliner Philharmoniker, Seiji Ozawa having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Wolfgang Meyer, Wiener Singverein | D Minor | 1 | 7A | 74 BPM | ||
Piano Sonata No. 3 in C Minor, Op. 1, No. 3, H. 8A: I. Non troppo allegro, ma con fuoco e con espressione | John Field, Benjamin Frith | E Minor | 0 | 9A | 74 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Sonata for Violin and Piano No.1 in F minor, Op.80: 3. Andante | Sergei Prokofiev, Janine Jansen, Itamar Golan | G Major | 1 | 9B | 84 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25: I. Molto allegro con fuoco | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | G Minor | 1 | 6A | 83 BPM | ||
Symphony No. 5 in E Minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | E Major | 3 | 12B | 141 BPM | ||
Alexander Nevsky: II. Song about Alexander Nevsky | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM |