Vivian Blaine made "Adelaide's Lament (from "Guys & Dolls")" available on 1950. The duration of Adelaide's Lament (from "Guys & Dolls") is about 3 minutes long, at 3:19. Based on our data, "Adelaide's Lament (from "Guys & Dolls")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Guys & Dolls (Original Cast Recording)" album is number 5 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Adelaide's Lament (from "Guys & Dolls") is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Adelaide's Lament (from "Guys & Dolls") by Vivian Blaine to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come Back to Me | John Cullum | C Major | 4 | 8B | 143 BPM | ||
Ribbons Down My Back | Kate Baldwin | D Minor | 1 | 7A | 71 BPM | ||
You Can Always Count on Me | Randy Graff | B♭ Major | 2 | 6B | 91 BPM | ||
A Little Brains, A Little Talent | Gwen Verdon | F Major | 1 | 7B | 145 BPM | ||
Anyone Can Whistle | Lee Remick | C Major | 1 | 8B | 90 BPM | ||
All Er Nuthin' Ballet | Original 1955 Oklahoma! Studio Orchestra, Darcy M. Proper | C Major | 1 | 8B | 91 BPM | ||
Who Taught Her Everything? | Kay Medford, Danny Meehan | G Major | 0 | 9B | 91 BPM | ||
Camelot: Then You May Take Me to the Fair | Frederick Loewe, Julie Andrews, Bruce Yarnell, James Gannon, John Cullum, Franz Allers | C Major | 3 | 8B | 143 BPM | ||
Two of a Kind | Raymond Jaramillo McLeod, Jennifer Cody | A Minor | 4 | 8A | 133 BPM | ||
Chanson | Jill Martin | F Major | 1 | 7B | 69 BPM |