Kazuhito Yamashita made "Escarraman (after Cervantes), Op. 177 : III. El Villano" available on 2001. The duration of Escarraman (after Cervantes), Op. 177 : III. El Villano is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Escarraman (after Cervantes), Op. 177 : III. El Villano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 5 out of 8. In terms of popularity, Escarraman (after Cervantes), Op. 177 : III. El Villano is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Escarraman (after Cervantes), Op. 177 : III. El Villano by Kazuhito Yamashita to be Andante (at a walking pace) because the track has a tempo of 103 テンポ, a half-time of 52テンポ, and a double-time of 206 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance | Anonymous , Christopher Parkening | E Minor | 0 | 9A | 88 BPM | ||
25 Etudes for Guitar, Op. 38: Etude No. 3 in D Minor | Napoléon Coste, Flavio Apro | E Minor | 1 | 9A | 107 BPM | ||
Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
Rondena | Regino Sáinz de la Maza, Franz Halász | G Minor | 2 | 6A | 117 BPM | ||
Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
Nocturne No.1 Op.32 | Frédéric Chopin, Timo Korhonen | E Minor | 4 | 9A | 111 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM | ||
Milonga (Cardoso) | Jorge Cardoso, Castellani-Andriaccio Duo | D Minor | 3 | 7A | 124 BPM | ||
Prelude and Nocturne for the Left Hand, Op. 9: No. 1, Prelude in C-Sharp Minor (Arr. A. Fougeray for Guitar) | Alexander Scriabin, Raphaël Feuillâtre | C Minor | 0 | 5A | 74 BPM |