"Requiem in D Minor, K. 626: IV. Offertorium - Hostias" by Budapest Concert Orchestra was released on January 7, 2019. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolfgang Amedeus Mozart: Requiem in D Minor KV 626 by Budapest Concert Orchestra. The song's track number on the album is #10 out of 14 tracks. Requiem in D Minor, K. 626: IV. Offertorium - Hostias is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem in D Minor, K. 626: IV. Offertorium - Hostias by Budapest Concert Orchestra has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem in D Minor, K. 626: IV. Offertorium - Hostias being at 87 テンポ, the half-time would be 44 テンポ with a double-time of 174 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: XIII. Agnus Dei | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 0 | 7B | 87 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Double Concerto in D Minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto | Yehudi Menuhin, Alberto Lysy | F Major | 1 | 7B | 95 BPM | ||
The Magic Flute, K. 620: Act II, No. 18. Coro: "O Isis, und Osiris, welche Wonne!" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 0 | 7B | 67 BPM | ||
Concerto in E Minor for Violin and Orchestra, Op. 64: III. Allegretto non troppo - Allegro molto vivace | Helena Spitkova, Vienna Radio Symphony Orchestra | E Major | 2 | 12B | 77 BPM | ||
Swan Lake, Op. 20: Act I: Valse | Pyotr Ilyich Tchaikovsky, Kristjan Järvi | C Minor | 0 | 5A | 93 BPM | ||
Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
Concerto in A Minor for Oboe and Orchestra, RV 461: I. Allegro non molto | The St. Petersburg Soloists, Vladimir Kurlin | F Major | 2 | 7B | 146 BPM | ||
Perpetuum Mobile, Op. 257 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | E♭ Major | 2 | 5B | 157 BPM |