Alexander Spendiarov, Mikael Ayrapetyan made "Crimean Sketches, Op. 9 (Version for Piano): No. 3, Chanson à boire" available on January 15, 2021. With Crimean Sketches, Op. 9 (Version for Piano): No. 3, Chanson à boire being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Spendiarov: Complete Piano Works & Chamber Works with Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Crimean Sketches, Op. 9 (Version for Piano): No. 3, Chanson à boire's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Crimean Sketches, Op. 9 (Version for Piano): No. 3, Chanson à boire by Alexander Spendiarov, Mikael Ayrapetyan having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
7 Fantasies, Op. 116: No. 4, Intermezzo in E Major | Johannes Brahms, Simon Bächinger | G Minor | 3 | 6A | 115 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Berceuse, Op. 3 No. 2 (Version for Piano) | Alexander Spendiarov, Mikael Ayrapetyan | A♭ Major | 0 | 4B | 129 BPM | ||
Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
Lyric Pieces, Op. 12: No. 3, Watchman's Song | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | ||
Na žalu | Blagoje Bersa, Goran Filipec | D♭ Major | 0 | 3B | 138 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Palestinian Notebook (Excerpts): No. 3, Lullaby | Stefan Wolpe, Andrew Rangell | D Minor | 2 | 7A | 66 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM |