"Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: II. Adagio sostenuto" by Sergei Rachmaninoff, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra, Yekaterina Sarantseva was released on January 1, 2009. Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: II. Adagio sostenuto appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "Rachmaninoff: Piano Concerto No. 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: II. Adagio sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Piano and Orchestra No. 2 in C Minor, Op. 18: II. Adagio sostenuto by Sergei Rachmaninoff, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra, Yekaterina Sarantseva having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet in A Major, D. 667, Op. 114 "Trout": IV. Tema con variazioni | Franz Schubert, Emanuel Ax | G Major | 1 | 9B | 113 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Caprice viennois, Op. 2 | Fritz Kreisler, Joshua Bell, Paul Coker | B Major | 1 | 1B | 137 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Cecile Ousset | E Minor | 1 | 9A | 134 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | E Minor | 0 | 9A | 139 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 3 | 10B | 108 BPM |