Lithuanian Chamber Orchestra's 'The Messiah: Part. II, Aria (But thou didst not leave his soul' came out on November 28, 2008. The duration of The Messiah: Part. II, Aria (But thou didst not leave his soul is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. The Messiah: Part. II, Aria (But thou didst not leave his soul's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #31. The Messiah: Part. II, Aria (But thou didst not leave his soul is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Messiah: Part. II, Aria (But thou didst not leave his soul by Lithuanian Chamber Orchestra having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Overtures For 2 Horns, 2 Oboes And Strings / Overture No.2 In A: 2. Andante | Josef Mysliveček, Concerto Köln, Werner Ehrhardt | B Minor | 0 | 10A | 101 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. Aase's Death: Andante doloroso | Tbilisi Symphony Orchestra | B Minor | 0 | 10A | 68 BPM | ||
Russian Seasons, Autumn: I. Fasting Song | Leonid Desyatnikov, Yana Ivanilova, Roman Mints, Lithuanian Chamber Orchestra, Philipp Chizhevsky | A Minor | 0 | 8A | 129 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Brodsky Quartet | B♭ Major | 0 | 6B | 118 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Prie ezerelio (By the Lake): By the Lake (Prie ezerelio) | Balys Dvarionas, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas | F♯ Minor | 1 | 11A | 122 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM |