"Le Carnaval des Animaux, R. 125: VII. Aquarium" by Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest was released on March 24, 2017. The duration of Le Carnaval des Animaux, R. 125: VII. Aquarium is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Le Carnaval des Animaux, R. 125: VII. Aquarium's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Saint-Saëns / Poulenc / Say". In this album, this song's track order is #7. Based on our statistics, Le Carnaval des Animaux, R. 125: VII. Aquarium's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Carnaval des Animaux, R. 125: VII. Aquarium by Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Valse triste, Op. 44, No. 1 | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | D♭ Minor | 1 | 12A | 107 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
Le Carnaval des Animaux (The Carnival of the Animals), R. 125, V. L'Éléphant (The Elephant): II. Allegretto pomposo | Camille Saint-Saëns, Yuli Turovsky, I Musici de Montréal, David Owen Norris, Gregory Shaverdian, Marc-André Coallier | E♭ Major | 0 | 5B | 114 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan (Arr. P. Vidal for Cello & Orchestra) | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | G Major | 0 | 9B | 89 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | D♭ Major | 0 | 3B | 95 BPM | ||
Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 79 BPM |