On May 31, 2024, the song "Le Nozze di Iole ed Ercole, Parte Seconda: X. Recitativo (Alceo) "Quanto Impone"" was released by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leonardo Leo, Christoph Hammer, Neue Hofkapelle München's "Leo: Le Nozze di Iole ed Ercole" album is number 10 out of 40. On top of that, Germany appears to be the country where this track was created. The popularity of Le Nozze di Iole ed Ercole, Parte Seconda: X. Recitativo (Alceo) "Quanto Impone" is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Le Nozze di Iole ed Ercole, Parte Seconda: X. Recitativo (Alceo) "Quanto Impone" by Leonardo Leo, Christoph Hammer, Neue Hofkapelle München to be Presto (very, very fast) because the track has a tempo of 182 テンポ, a half-time of 91テンポ, and a double-time of 364 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Vivace | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | B♭ Minor | 0 | 3A | 165 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Flute Concerto in C Minor, QV 5:38: III. Vivace | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 1 | 3A | 95 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Zweistimmigen Sonaten und Suiten: Sonata in D Major for Violin, Viola da Gamba, and Continuo | Dietrich Becker, Dorian Komanoff Bandy, Hank Knox, Elinor Frey | D♭ Major | 3 | 3B | 180 BPM | ||
Sonata a 4 in D Major, WoO 4: V. Allegro | Arcangelo Corelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A Major | 3 | 11B | 123 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Concerto pour flûte, violon, [violoncelle], cordes et basse continue en la majeur - Gratioso | Arion Ensemble | A♭ Major | 0 | 4B | 116 BPM | ||
Cello Concerto No. 5 in F Minor: II. Allegro | Leonardo Leo, Tafelmusik Baroque Orchestra, Anner Bylsma, Jeanne Lamon | E Minor | 2 | 9A | 117 BPM |