André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden made "Les deux pigeons - Suite (2002 - Remaster): Danse hongroises" available on 1988. The duration of Les deux pigeons - Suite (2002 - Remaster): Danse hongroises is about 3 minutes long, at 3:04. Based on our data, "Les deux pigeons - Suite (2002 - Remaster): Danse hongroises" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Les deux pigeons - Suite (2002 - Remaster): Danse hongroises is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Danse hongroises by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major, Op. 25 "Classical Symphony": IV. Finale (Vivace) | Sergei Prokofiev, Orpheus Chamber Orchestra | G Major | 2 | 9B | 67 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Les biches Suite, FP 36b: II. Adagietto | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Messager: Fortunio, Act 3: "Les cloches avaient l'air de sonner" (Fortunio, Jacqueline) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Thierry Dran, Orchestre de l'Opéra de Lyon | G Major | 0 | 9B | 119 BPM | ||
Romeo and Juliet, Op. 64: No. 4 Morning Dance | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | F Major | 1 | 7B | 82 BPM | ||
Norwegian Dances, Op. 35: III. Allegro moderato alla Marcia (Arr. H. Sitt for orchestra) | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | D Major | 1 | 10B | 104 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Messe Des Pêcheurs de Villerville: I. Kyrie | Gabriel Fauré, Ensemble Vocal de Lausanne, Michel Corboz, Sinfonia Varsovia | D Minor | 0 | 7A | 170 BPM | ||
Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM |