"Un di all azzurro spazio" by Mario del Monaco had its release date on February 24, 1951. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mario del Monaco's "L'incredibile Mario del Monaco" album is number 32 out of 41. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Un di all azzurro spazio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Un di all azzurro spazio by Mario del Monaco to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
Madama Butterfly / Act 2: "Addio fiorito asil" | Giacomo Puccini, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | D♭ Major | 4 | 3B | 93 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: "Prodigio! Incanto!" (Coro) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Coro di Torino della RAI, Orchestra di Torino della RAI | A Major | 1 | 11B | 102 BPM | ||
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Mario del Monaco, Orchestra, Franco Ghione | C Major | 4 | 8B | 120 BPM | ||
Die Walküre / Act 1: "Ein Schwert verhieß mir der Vater" | Richard Wagner, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | B♭ Major | 4 | 6B | 134 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Adriana Lecouvreur / Act 2: Con la Regina a lungo favella! | Francesco Cilea, Giulietta Simionato, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | C Major | 3 | 8B | 90 BPM |