Traditional, Monges Beneditinos's 'Alma Redemptoris Mater - Antífona - V Modo' came out on March 2, 2018. With Alma Redemptoris Mater - Antífona - V Modo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 25 in Cantus Selecti by Traditional, Monges Beneditinos. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. Based on our statistics, Alma Redemptoris Mater - Antífona - V Modo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alma Redemptoris Mater - Antífona - V Modo by Traditional, Monges Beneditinos is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni Sanctus Spiritus - Sequência - I Modo | Traditional, Monges Beneditinos | B♭ Minor | 1 | 3A | 131 BPM | ||
Dominica Resurrectionis: IV. Offertorium (Terra tremuit) | Gregorian Chants, Karel Frana, Boni Puncti | B♭ Minor | 5 | 3A | 130 BPM | ||
Cantus Missarum: Alleluia: Magi venerunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Major | 1 | 2B | 77 BPM | ||
Missa de angelis - Sanctus | Nova Schola Gregoriana, Alberto Turco | C Major | 1 | 8B | 72 BPM | ||
Cantus Officiorum: Hymnus: Splendor paternae gloriae | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | A♭ Major | 1 | 4B | 77 BPM | ||
Salve misa | Coro De La Abadía Benedictina De Santo Domingo De Silos | G Major | 2 | 9B | 105 BPM | ||
By the Rivers of Babylon | Traditional, Anatoly Grindenko, The Russian Patriarchate Choir | D Minor | 9 | 7A | 154 BPM | ||
Tempo Della Manifestazione. Antifona D'Ingresso: Dominus | Canonici Regolari Si Sant'Antimo | G Minor | 0 | 6A | 78 BPM | ||
O Maria Mater pia | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D Minor | 0 | 7A | 127 BPM | ||
Salve Virilis Pectoris | Benedictine Monks of St. Wandrillede Fontonelle | B♭ Minor | 2 | 3A | 92 BPM |