Piano Concerto No.2 in C minor, Op.18: 1. Moderato
- テンポ
- 82
- キー
- F Major
- キャメロットミュージックキー
- 7B
Piano Concerto No.2 in C minor, Op.18: 1. Moderato - Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn 情報
- 音響性
- 98%
- ダンサビリティ
- 29%
- エネルギー
- 15%
- 手段性
- 86%
- 活気
- 23%
- ラウドネス
- 66%
- 話し言葉
- 4%
- 価数
- 6%
- 人気
- 9%
- ラウドネス
- -20.599 dB
まとめ
"Piano Concerto No.2 in C minor, Op.18: 1. Moderato" by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn was released on October 11, 2019. Piano Concerto No.2 in C minor, Op.18: 1. Moderato appears to be safe for all ages as it is not explicit. The song is number 8 out of 20 in Best of Rachmaninoff by Sergei Rachmaninoff. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Piano Concerto No.2 in C minor, Op.18: 1. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Piano Concerto No.2 in C minor, Op.18: 1. Moderato テンポ
The tempo marking of Piano Concerto No.2 in C minor, Op.18: 1. Moderato by Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Piano Concerto No.2 in C minor, Op.18: 1. Moderato キー
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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 | Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | |
 | Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | |
 | 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | |
 | Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | |
 | Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM |
- ISRC
- GBF077110111
- レコードレーベル
- L-M Records/RCA Records