Thomas Adès, Mark Simpson, Quatuor Diotima's 'Alchymia: I. A Sea-Change (…Those Are Pearls…)' came out on October 13, 2023. With this song being about 5 minutes long, at 5:08, "Alchymia: I. A Sea-Change (…Those Are Pearls…)" by Thomas Adès, Mark Simpson, Quatuor Diotima is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 4 in the song's album "Thomas Adès: Alchymia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Alchymia: I. A Sea-Change (…Those Are Pearls…)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Alchymia: I. A Sea-Change (…Those Are Pearls…) by Thomas Adès, Mark Simpson, Quatuor Diotima having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
33 Miniatures for Piano (Excerpts): No. 22, Grazioso | Giya Kancheli, Elisaveta Blumina | F Major | 0 | 7B | 0 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Chonguri | Sulkhan Tsintsadze, Thomas Demenga, Thomas Larcher | E Minor | 0 | 9A | 169 BPM | ||
Three movements from String Quartet No. 2: II | Michael Nyman, Amstel Quartet | B♭ Major | 1 | 6B | 117 BPM | ||
Harmonica (Hommage á Borsody László) (from Játékok / Book 3) - Grand Piano | György Kurtág, Víkingur Ólafsson | N/A | N/A | N/A | 0 BPM | ||
Nocturne | Dobrinka Tabakova, Ivan Yanakov | E Major | 0 | 12B | 120 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM |