"In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven)" by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus was released on April 1, 1996. The duration of In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) is about 3 minutes long, at 3:19. Based on our data, "In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus's "Martin: In terra pax & Les quatre temperaments" album is number 14 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To the Hands: No. 4. Ever Ever Ever | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | E Minor | 0 | 9A | 173 BPM | ||
Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM | ||
Mass in D major, Op. 86: 2. Gloria | Antonín Dvořák, Neil Ritchie, Andrew Giles, Alan Byers, Robert Morton, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | E Major | 0 | 12B | 145 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Variasjoner over Med Jesus vil eg fara: II. Var 1 | Knut Nystedt, Anders Eidsten Dahl | G Minor | 0 | 6A | 56 BPM | ||
Looduspildid No. 3 "Sügismaastikud": II. Üle taeva jooksevad pilved | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | B♭ Minor | 0 | 3A | 78 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
Four Songs of Love: I. Let Him Kiss Me | Sven-David Sandström, Gustaf Sjökvists Kammarkör, Gustaf Sjokvist | E♭ Major | 0 | 5B | 113 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM |