"Carmina Burana: Act II: 10. Scène: Moderato; Piu mosso" by London Symphony Orchestra, Michael Tilson Thomas was released on 1991. The duration of Carmina Burana: Act II: 10. Scène: Moderato; Piu mosso is about 3 minutes long, at 3:12. Based on our data, "Carmina Burana: Act II: 10. Scène: Moderato; Piu mosso" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Rendezvous der Sinne Vol. 1". In this album, this song's track order is #17. Carmina Burana: Act II: 10. Scène: Moderato; Piu mosso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: Act II: 10. Scène: Moderato; Piu mosso by London Symphony Orchestra, Michael Tilson Thomas having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Professor Umbridge | Nicholas Hooper | E Minor | 3 | 9A | 140 BPM | ||
U-Boats | Alexandre Desplat, London Symphony Orchestra | A Minor | 3 | 8A | 180 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, London Symphony Orchestra, Claudio Abbado | B Minor | 9 | 10A | 150 BPM | ||
Suite from Forrest Gump | Alan Silvestri | F Major | 1 | 7B | 85 BPM | ||
Fantasia on a Theme by Thomas Tallis (excerpt) (Master and Commander: The Far Side of the World) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 80 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 89 BPM | ||
The Four Seasons: Concerto No. 4 in F Minor, RV 297 "L'inverno" (winter): I. Allegro non molto | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Minor | 2 | 4A | 162 BPM |