Johann Strauss I, John Georgiadis, London Symphony Orchestra made "Radetzky March, Op. 228" available on January 1, 2005. The duration of Radetzky March, Op. 228 is about 3 minutes long, at 3:00. Based on our data, "Radetzky March, Op. 228" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 10 in An Evening of Strauss, Part. 1 by Johann Strauss II, London Symphony Orchestra, John Georgiadis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Radetzky March, Op. 228 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Radetzky March, Op. 228 by Johann Strauss I, John Georgiadis, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Joseph Calleja, Angela Gheorghiu, Apollo Voices, Orquestra de la Comunitat Valenciana, Ramón Tebar | C Major | 4 | 8B | 80 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
Humoreske; Op. 101 No. 7 | Antonín Dvořák, I Salonisti | F♯ Major | 1 | 2B | 88 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM |