Antonín Dvořák, Vlach Quartet Prague's 'Gavotte, B. 164' came out on June 12, 1998. The duration of Gavotte, B. 164 is about 3 minutes long, at 3:12. Based on our data, "Gavotte, B. 164" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in Dvorak, A.: String Quartets, Vol. 5 (Vlach Quartet) - Cypresses / String Quartet Movement in F Major / 2 Waltzes / Gavotte by Antonín Dvořák, Vlach Quartet Prague. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Gavotte, B. 164's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gavotte, B. 164 by Antonín Dvořák, Vlach Quartet Prague is Vivace (lively and fast), since this song has a tempo of 158 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Piano Trio No. 1 in E-Flat Major, Op. 12: I. Allegro agitato | Johann Nepomuk Hummel, Borodin Trio | B♭ Major | 1 | 6B | 95 BPM | ||
Achmet und Zenide, Act II: Ouverture Capriccio | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | G Major | 0 | 9B | 123 BPM | ||
A Fugal Concerto, Op. 40: I. Moderato | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Czech Suite, Op. 39, B. 93: V. Finale (Furiant) | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
Clarinet Concerto No. 4 in B-Flat Major: I. Allegro | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | B♭ Major | 1 | 6B | 145 BPM | ||
Symphony in F Minor, Bryan f1: I. Allegro moderato | Johann Baptist Vanhal, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 117 BPM | ||
Symphonie Concertante in C Major, Op. 9 No. 1: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | F Major | 3 | 7B | 128 BPM |