"Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun" by Maria Bayo, Euskadiko Orkestra Sinfonikoa, Cristian Mandeal was released on January 1, 1999. With Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 13 in Basque Music Collection, Vol. III: Jesus Arambarri by Maria Bayo, Euskadiko Orkestra Sinfonikoa & Cristian Mandeal. Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ocho Canciones Vascas para soprano y orquesta (1931): IV. Tun, kurrun, kutun by Maria Bayo, Euskadiko Orkestra Sinfonikoa, Cristian Mandeal is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La delaïssado | Joseph Canteloube, Maria Bayo, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez | F Minor | 1 | 4A | 138 BPM | ||
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM | ||
Al Amor | Maria Bayo, J.A. Alvarez-Parejo | A Minor | 1 | 8A | 116 BPM | ||
El Barberillo de Lavapies, Act III: La Calesera de Lavapiés (Lamparilla, Don Luis, Marquesita, Paloma,) | Francisco Asenjo Barbieri, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez, Manuel Lanza, Jose Sempere, Maria Bayo, Lola Casariego | D Major | 3 | 10B | 111 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
Doña Francisquita, Act I: Canción del Ruiseñor, Pt. 1 (Francisquita, Fernando, Cardona) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus, Santiago Jerico | B Major | 1 | 1B | 178 BPM | ||
Bianca e Falliero: Act I Scene 6: Negli orti di Fiora (Maidservants) | Gioachino Rossini, Maria Bayo, Daniela Barcellona, Francesco Meli, Carlo Lepore, Ornella Bonomelli, Dario Benini, Jiří Prudič, Karel Pajer, Stefan Cifolelli, Prague Chamber Chorus, Galicia Youth Symphony Orchestra, Renato Palumbo | F♯ Major | 2 | 2B | 139 BPM | ||
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Stabat Mater: 6. Sancta Mater istud agas | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini | A♭ Major | 1 | 4B | 71 BPM | ||
Poema En Forma De Canciones: Cantares | Joaquín Turina, Maria Bayo, Orquesta Sinfonica de Navarra, Ernest Martinez Izquierdo | D♭ Major | 1 | 3B | 141 BPM |