John Mackey, Julian Bliss, J. Eric Wilson, Baylor University Wind Ensemble's 'Divine Mischief: Concerto for Clarinet: I. A stranger and a game' came out on February 2, 2024. Since Divine Mischief: Concerto for Clarinet: I. A stranger and a game is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Divine Mischief by Julian Bliss, J. Eric Wilson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Divine Mischief: Concerto for Clarinet: I. A stranger and a game's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Divine Mischief: Concerto for Clarinet: I. A stranger and a game by John Mackey, Julian Bliss, J. Eric Wilson, Baylor University Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festival Variations | Claude T. Smith, United States Army Field Band, Thomas H. Palmatier | G Minor | 3 | 6A | 142 BPM | ||
The Ringmaster's March | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 5 | 4B | 148 BPM | ||
Symphony No. 3 "Slavyanskaya": I. Allegro | Boris Tikhonovich Kozhevnikov, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Minor | 2 | 3A | 84 BPM | ||
Symphony No. 3, "Circus Maximus": I. Introitus | John Corigliano, University of Texas Wind Ensemble, Jerry Junkin | D Major | 6 | 10B | 130 BPM | ||
Redline Tango | John Mackey, University of Kansas Wind Ensemble, John P. Lynch | D♭ Major | 2 | 3B | 128 BPM | ||
Kentucky 1800 | Clare Grundman, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz | A♭ Major | 1 | 4B | 99 BPM | ||
Antique Violences, Concerto for Trumpet: I. The blooded lines | John Mackey, Justin Emerich, Kevin L. Sedatole, Michigan State University Wind Symphony | G Major | 6 | 9B | 123 BPM | ||
Euphonium Concerto: I. Allegro assai | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | C Major | 2 | 8B | 115 BPM | ||
Awakening Hills | Richard Saucedo, Midwest Wind Ensemble | E♭ Major | 1 | 5B | 139 BPM | ||
The Ascension | Robert W. Smith, Oslo Janitsjar | C Minor | 1 | 5A | 102 BPM |