"Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach"" by Staatskapelle Berlin, Otmar Suitner, Karl-Heinz Stryczek, Ludmilla Dvorakova was released on 1974. Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" appears to be safe for all ages as it is not explicit. This song is part of Wagner: Lohengrin (Highlights) by Staatskapelle Berlin, Chor der Deutschen Staatsoper Berlin, Otmar Suitner. The song's track number on the album is #5 out of 8 tracks. Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" by Staatskapelle Berlin, Otmar Suitner, Karl-Heinz Stryczek, Ludmilla Dvorakova has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin: Act II - "Erhebe dich, Genossin meiner Schmach" being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Cello Concerto: 3. Giocoso | Elliott Carter, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | C Minor | 1 | 5A | 146 BPM | ||
Mendelssohn: Rondo capriccioso in E Major, Op. 14 | Felix Mendelssohn, Doomin Kim | E Minor | 1 | 9A | 163 BPM | ||
Wagner: Tannhäuser, Act 3: "Beglückt darf nun dich, o Heimat ich schauen" (Pilger, Elisabeth, Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | B♭ Major | 2 | 6B | 130 BPM | ||
6 Orchestral Songs, EG 177: No. 2, Solveig's Cradle Song | Edvard Grieg, Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 1 | 10B | 67 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | ||
Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Erin Wall, Staatskapelle Berlin, Pierre Boulez | D Major | 1 | 10B | 90 BPM |