伊奈和子 made "25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100)" available on 1998. The duration of 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ブルグミュラー 25の練習曲 作品100番/グルリット 初歩者のための小練習曲集, so we believe that "25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100)" is a single. In terms of popularity, 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 25:貴婦人の乗馬(ブルグミュラー:25の練習曲 作品100) by 伊奈和子 is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nutcracker Suite, Op. 17a (Arr. Solo Piano by Giorni): Dance of the Reed Flutes (Danse Des Mirlitons) - Duo-Art 6132 | Pyotr Ilyich Tchaikovsky, Aurelio Giorni, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Prelude in G-Sharp Minor | John C Buttigieg | A♭ Minor | 1 | 1A | 67 BPM | ||
Sølvbryllupsmarch | Signe Lund, Rune Alver | B♭ Major | 0 | 6B | 70 BPM | ||
Etude, Op. 18 No. 3 | Moritz Moszkowski, Manuel del Corral | A♭ Major | 0 | 4B | 73 BPM | ||
Sonatina Op. 136 Nº 4 em Lá Menor (A Minor) Allegro Moderato | Carl Reinecke, Luís Pipa | F Major | 2 | 7B | 107 BPM | ||
Every morning | Magui sadman | G Major | 0 | 9B | 109 BPM | ||
Symphony No. 1 in D Major, Op. 25 “Classical” (Transcr. for Piano by Florian Noack): III. Gavotte - Non troppo allegro | Sergei Prokofiev, Florian Noack | C Minor | 2 | 5A | 110 BPM | ||
Händel Variations & Fugue, Op. 24: Variation XX. Legato | Johannes Brahms, Nino Gvetadze | D♭ Minor | 0 | 12A | 82 BPM | ||
18 Études, Op. 109: No. 4, Les bohémiens | Franz Burgmüller, Carl Petersson | C Minor | 1 | 5A | 85 BPM | ||
Intimate Sketches: No. 4, Moderato | Leoš Janáček, Olena Kushpler | G Major | 0 | 9B | 89 BPM |