"Blessed city, heavenly Salem (Version for Choir and Orchestra)" by Edward Bairstow, Choir of Merton College, Oxford, Britten Sinfonia, Benjamin Nicholas, Aine Smith was released on May 5, 2023. Since Blessed city, heavenly Salem (Version for Choir and Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Blessed city, heavenly Salem (Version for Choir and Orchestra) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Blessed city, heavenly Salem (Version for Choir and Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Blessed city, heavenly Salem (Version for Choir and Orchestra) by Edward Bairstow, Choir of Merton College, Oxford, Britten Sinfonia, Benjamin Nicholas, Aine Smith is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chorus - When o'er the steep of Olivet | J H Maunder, The Oratory Singers, Peter Litman | A Major | 2 | 11B | 69 BPM | ||
The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
All Flesh is Grass | Chris Massa, Phoenix Chamber Choir, Nicholle Andrews | A Major | 0 | 11B | 75 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
Llanfair "Hail the Day That Sees Him Rise" | Robert Williams, The Choir of Tewkesbury Abbey School, Carleton Etherington, Benjamin Nicholas | G Major | 2 | 9B | 80 BPM | ||
Into the Woods My Master Went | Jane Hawes, Sidney Lanier, Various Artists, Angela Westhoff-Johnson | B Minor | 1 | 10A | 172 BPM | ||
Save Us, O Lord | Edward Bairstow, Tewkesbury Abbey Schola Cantorum, Carleton Etherington, Simon Bell | F Major | 0 | 7B | 86 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Deck Thyself, My Soul, with Gladness | Johann Crüger, Collegiate Church of St Mary Warwick Choir, Christopher Monks, Christopher Betts | E♭ Major | 1 | 5B | 130 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM |