"El Sombrero de Tres Picos, Pt. 2: Part II: Danza del Molinera" by Manuel de Falla, Sophie Harmsen, L'Orchestre de la Suisse Romande, Kazuki Yamada was released on May 5, 2017. Since El Sombrero de Tres Picos, Pt. 2: Part II: Danza del Molinera is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 13 in De Falla: Noches en los Jardines de España & El Sombrero de Tres Picos by Manuel de Falla, Mari Kodama, Sophie Harmsen, L'Orchestre de la Suisse Romande, Kazuki Yamada. Based on our statistics, El Sombrero de Tres Picos, Pt. 2: Part II: Danza del Molinera's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El Sombrero de Tres Picos, Pt. 2: Part II: Danza del Molinera by Manuel de Falla, Sophie Harmsen, L'Orchestre de la Suisse Romande, Kazuki Yamada is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soliloquy for Oboe and Orchestra (Orch. by Gordon Jacob) | Edward Elgar, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | A Minor | 0 | 8A | 76 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Tristesse, Op.6, No.2 | Gabriel Fauré, Mischa Maisky, Daria Hovora | F Minor | 0 | 4A | 97 BPM |