"Sonate pour piano in G Minor, V. 105: IV. Dans un mouvement plus lent" by Guillaume Lekeu, Luc Devos had its release date on 1994. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Guillaume Lekeu, Luc Dewez, Luc Devos's "Lekeu: La musique de chambre IV" album is number 11 out of 12. On top of that, Belgium appears to be the country where this track was created. Sonate pour piano in G Minor, V. 105: IV. Dans un mouvement plus lent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate pour piano in G Minor, V. 105: IV. Dans un mouvement plus lent by Guillaume Lekeu, Luc Devos to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Légendes, S. 175: No. 2, St. François de Paule. Marchant sur les flots | Franz Liszt, Sandrine Erdely-Sayo | D♭ Minor | 2 | 12A | 137 BPM | ||
Prelude Op. 23 No. 6 in E-Flat Major: Andante | Sergei Rachmaninoff, Park Eun Shik | A♭ Major | 1 | 4B | 151 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: II. Adagio ma non troppo | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | F♯ Major | 0 | 2B | 79 BPM | ||
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 13, Die Post | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
天鹅 - 大提琴曲 | 马新桦, 冯丹 | G Major | 0 | 9B | 90 BPM | ||
Albumblätter, Op. 39: II. Andante sostenuto | Adrien La Marca, Danae Dörken | G Minor | 1 | 6A | 66 BPM | ||
Andromède, V. 3, Acte I: II. Et le monstre odieux | Guillaume Lekeu, Orchestre Philharmonique Royal de Liège, Chœur symphonique de Namur, Pierre Bartholomée, Philippe Huttenlocher | F♯ Minor | 1 | 11A | 75 BPM |