"Egipetskiye nochi (Egyptian Nights), Op. 50: No. 1: Scene et danse de coquetterie" by Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky was released on May 26, 1997. With this song being about 5 minutes long, at 4:33, "Egipetskiye nochi (Egyptian Nights), Op. 50: No. 1: Scene et danse de coquetterie" by Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 15 in Arensky: Egyptian Nights by Anton Arensky. Egipetskiye nochi (Egyptian Nights), Op. 50: No. 1: Scene et danse de coquetterie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Egipetskiye nochi (Egyptian Nights), Op. 50: No. 1: Scene et danse de coquetterie by Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegia. Adagio | Anton Arensky, Munich Piano Trio, Adrian Lazar, Gerhard Zank, Hermann Lechler | F Major | 1 | 7B | 94 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: III. Finale: Andante sostenuto - Allegro moderato | Anton Arensky, Ying Quartet | A Major | 2 | 11B | 148 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | G Major | 1 | 9B | 89 BPM | ||
Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |