"The Lord of the Rings: From the Shire to Mordor" by Howard Shore, Lauren Conklin was released on May 15, 2020. The duration of The Lord of the Rings: From the Shire to Mordor is about 3 minutes long, at 3:28. Based on our data, "The Lord of the Rings: From the Shire to Mordor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since The Lord of the Rings: From the Shire to Mordor only contains only one song in the album, we like to consider this song as a single. The Lord of the Rings: From the Shire to Mordor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lord of the Rings: From the Shire to Mordor by Howard Shore, Lauren Conklin having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trespasser - Lost Elf Theme | Trevor Morris | A♭ Minor | 2 | 1A | 168 BPM | ||
Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
The Steward of Gondor (feat. Billy Boyd) | Howard Shore, Billy Boyd | E Minor | 1 | 9A | 84 BPM | ||
Akihiko Knows | David Celeste | F Minor | 1 | 4A | 74 BPM | ||
Enola Holmes (The Future Is Up To Us) | Daniel Pemberton | C Major | 5 | 8B | 77 BPM | ||
Snowdrop | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 1 | 8B | 83 BPM | ||
Finding Nemo | Thomas Newman | F Major | 1 | 7B | 113 BPM | ||
Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
Suite Harry Potter: Lily’s Theme – Harry in Winter – Courtyard Apocalypse – Prologue (From "Harry Potter") | Angèle Dubeau, La Pietà | B Minor | 2 | 10A | 78 BPM |