Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker made "Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21g, Rezitativ. "Da Pilatus das Wort hörete"" available on January 1, 1962. With Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21g, Rezitativ. "Da Pilatus das Wort hörete" being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 68 in Bach: Johannes-Passion, BWV 245 by Johann Sebastian Bach, Karl Forster, Berliner Symphoniker, Dietrich Fischer-Dieskau, Christa Ludwig, Fritz Wunderlich, Elisabeth Grümmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21g, Rezitativ. "Da Pilatus das Wort hörete" is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 21g, Rezitativ. "Da Pilatus das Wort hörete" by Johann Sebastian Bach, Karl Forster, Dietrich Fischer-Dieskau, Fritz Wunderlich, Karl Christian Kohn, Berliner Symphoniker is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: V. Gavottes I & II | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 81 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |