Michael Kamen, John Cerrninaro, Seattle Symphony Orchestra's 'Overture [Robin Hood Prince of Thieves]' came out on January 1, 2008. The duration of Overture [Robin Hood Prince of Thieves] is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Overture [Robin Hood Prince of Thieves]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 37 in CLASSIC FM MOVIES - THE ULTIMATE COLLECTION by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Overture [Robin Hood Prince of Thieves] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture [Robin Hood Prince of Thieves] by Michael Kamen, John Cerrninaro, Seattle Symphony Orchestra is Larghetto (rather broadly), since this song has a tempo of 62 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Life of the Bird | The Cinematic Orchestra, London Metropolitan Orchestra | D♭ Major | 1 | 3B | 177 BPM | ||
Symphony No.7 in A, Op.92: 2. Allegretto | Ludwig van Beethoven, Seattle Symphony Orchestra, Michael Kamen | E Minor | 0 | 9A | 106 BPM | ||
These Pages Must Show (End Credits) | Christopher Willis | A Minor | 4 | 8A | 133 BPM | ||
Symphony No. 4, "Autochthonous": III. With a graceful lilt | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 1 | 7A | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
The Battle of Britain Suite: III. Work and Play | Ron Goodwin, Rumon Gamba, BBC Philharmonic | F Major | 1 | 7B | 60 BPM | ||
633 Squadron | Ron Goodwin, Central Band Of The Royal Air Force | C Major | 5 | 8B | 99 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
The War Rooms | Dario Marianelli, Víkingur Ólafsson | A♭ Major | 2 | 4B | 103 BPM | ||
Eddie Jumps The 90M | Matthew Margeson | C Major | 6 | 8B | 143 BPM |