"Concerto for Trumpet (Antique Violences): I. The Blooded Lines" by John Mackey, Christopher Martin, Dallas Winds, Jerry Junkin was released on June 21, 2019. With this song being about 5 minutes long, at 4:33, "Concerto for Trumpet (Antique Violences): I. The Blooded Lines" by John Mackey, Christopher Martin, Dallas Winds, Jerry Junkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 12 in Asphalt Cocktail: The Music of John Mackey by John Mackey, Dallas Winds, Jerry Junkin, Christopher Martin. Based on our statistics, Concerto for Trumpet (Antique Violences): I. The Blooded Lines's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for Trumpet (Antique Violences): I. The Blooded Lines by John Mackey, Christopher Martin, Dallas Winds, Jerry Junkin is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn to a Blue Hour | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 69 BPM | ||
The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM | ||
Church Windows, P. 150: II. Saint Michael the Archangel | Ottorino Respighi, Cincinnati Symphony Orchestra, Jesús López-Cobos | F♯ Major | 3 | 2B | 74 BPM | ||
Awayday | Adam Gorb, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 2 | 8A | 130 BPM | ||
Matthews : Pluto, the Renewer | Colin Matthews (1946), Giacomo Puccini, Royal Philharmonic Orchestra, Owain Arwel Hughes | F Major | 0 | 7B | 82 BPM | ||
Galop | US Air Force Band of the Golden Gate, Dmitri Shostakovich, Hunsberger | G Minor | 6 | 6A | 88 BPM | ||
Mother Earth | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | E♭ Major | 4 | 5B | 97 BPM | ||
Masque | Kenneth Hesketh, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 3 | 10B | 156 BPM | ||
Symphony No. 3 "Slavyanskaya": I. Allegro | Boris Tikhonovich Kozhevnikov, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Minor | 2 | 3A | 84 BPM | ||
Greek Folk Song Suite, Op. 25: I. O Charalambis | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | A♭ Major | 2 | 4B | 65 BPM |