Andalouse, Op. 20 No. 8

Emile Pessard, Amy Dickson
In Circles
2:47 2019年4月5日
テンポ
74
キー
F♯ Minor
キャメロットミュージックキー
11A

リンクを埋め込む

共有

Andalouse, Op. 20 No. 8 - Emile Pessard, Amy Dickson 情報

音響性
100%
ダンサビリティ
34%
エネルギー
2%
手段性
91%
活気
10%
ラウドネス
64%
話し言葉
5%
価数
31%
人気
ラウドネス
-21.576 dB

まとめ

Emile Pessard, Amy Dickson's 'Andalouse, Op. 20 No. 8' had a release date set for April 5, 2019. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Andalouse, Op. 20 No. 8's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Amy Dickson's "In Circles" album is number 1 out of 20. Andalouse, Op. 20 No. 8 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Andalouse, Op. 20 No. 8 テンポ

We consider the tempo marking of Andalouse, Op. 20 No. 8 by Emile Pessard, Amy Dickson to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Andalouse, Op. 20 No. 8 キー

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Catalan Folksong - arr. Pablo Casals (1876-1973) by Anonymous, Mischa Maisky, Pavel GililovCatalan Folksong - arr. Pablo Casals (1876-1973)Anonymous, Mischa Maisky, Pavel GililovA Minor08A89 BPM
Schubert: Schwanengesang, D. 957: No. 4 Ständchen by Franz Schubert, Anneleen Lenaerts, Dionysis GrammenosSchubert: Schwanengesang, D. 957: No. 4 StändchenFranz Schubert, Anneleen Lenaerts, Dionysis GrammenosC Minor05A131 BPM
Fauré: Pavane, Op. 50 by Gabriel Fauré, San Francisco Symphony, Michael Tilson ThomasFauré: Pavane, Op. 50Gabriel Fauré, San Francisco Symphony, Michael Tilson ThomasF♯ Minor011A62 BPM
Après un rêve, Op. 7, No. 1 by Gabriel Fauré, Yo-Yo MaAprès un rêve, Op. 7, No. 1Gabriel Fauré, Yo-Yo MaF Minor04A115 BPM
Touch Her Soft Lips and Part by William Walton, Amy Dickson, London Session OrchestraTouch Her Soft Lips and PartWilliam Walton, Amy Dickson, London Session OrchestraF Major17B71 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José SerebrierC Major08B92 BPM
Song of the Birds by Pablo Casals, Sol GabettaSong of the BirdsPablo Casals, Sol GabettaD Major110B68 BPM
Nocturnes, Op. 9: No. 2, Andante in E-flat major (Arranged for Saxophone and Piano) by Frédéric Chopin, Amy DicksonNocturnes, Op. 9: No. 2, Andante in E-flat major (Arranged for Saxophone and Piano)Frédéric Chopin, Amy DicksonF Major07B135 BPM
Salut d'amour, op. 12 by Sol GabettaSalut d'amour, op. 12Sol GabettaD Major110B75 BPM
Latin American Dances for Alto Saxophone by John Carmichael, Amy Dickson, Catherine MilledgeLatin American Dances for Alto SaxophoneJohn Carmichael, Amy Dickson, Catherine MilledgeB♭ Major16B118 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records