Léo Delibes, Sharon Davis, Farrell Vernon, Tomas Walsh, Brad Kuhns, Hamilton Tescarollo's 'Lakme (arr. S. Davis for sopranino saxophone, double bass and piano): Lakme, Act I: Sous le dome epais, "Flower Duet" (arr. S. Davis for sopranino saxophone, double bass and piano)' came out on May 1, 2013. Lakme (arr. S. Davis for sopranino saxophone, double bass and piano): Lakme, Act I: Sous le dome epais, "Flower Duet" (arr. S. Davis for sopranino saxophone, double bass and piano) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 21 out of 26 in Convergence: Sopranino Saxophone Across the Centuries by Farrell Vernon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lakme (arr. S. Davis for sopranino saxophone, double bass and piano): Lakme, Act I: Sous le dome epais, "Flower Duet" (arr. S. Davis for sopranino saxophone, double bass and piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lakme (arr. S. Davis for sopranino saxophone, double bass and piano): Lakme, Act I: Sous le dome epais, "Flower Duet" (arr. S. Davis for sopranino saxophone, double bass and piano) by Léo Delibes, Sharon Davis, Farrell Vernon, Tomas Walsh, Brad Kuhns, Hamilton Tescarollo is Andante (at a walking pace), since this song has a tempo of 107 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 71 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Deux Arabesques, L66: No. 1: Andantino con moto | Claude Debussy, Kathryn Stott | E Major | 0 | 12B | 73 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |