Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko made "The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds)" available on January 1, 2012. With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 26 in the song's album "The Sleeping Beauty (excerpts from the Ballet)". In this album, this song's track order is #8. The popularity of The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation IV. Canari qui chante (Fairy of the Song Birds) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a テンポ of 161 with a half-time of 80 テンポ and a double-time of 322 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin 'in tromba marina', Strings & Continuo in G Major, RV. 311: I. Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | D Major | 3 | 10B | 116 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Slavonic Dances, Op. 72 : No.10 in E minor | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | C Major | 2 | 8B | 100 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Moment Musical in A-Flat Major Op. 94: III. | Franz Schubert, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch | G Major | 3 | 9B | 86 BPM | ||
Duet for Violin and Cello:III | Alessandro Rolla, 中國愛樂樂團 | D Minor | 1 | 7A | 81 BPM | ||
La source, ou Naila: Suite No. 3: La Source: Intermezzo (Pas des Fleurs, Grande Valse) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 125 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM |