Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra's 'Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento' came out on February 26, 1998. The duration of Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Bizet- Breiner: Carmen Concerto / Granados: Valses Poeticos by Peter Breiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Valses poeticos (arr. Peter Breiner): Valse 3. Tempo de Vals lento by Peter Breiner, Enrique Granados, Norbert Kraft, Polish National Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Romance | Anonymous , Christopher Parkening | E Minor | 0 | 9A | 88 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Ghost on the Moor | Peter Breiner, Don Gillis | E Minor | 2 | 9A | 130 BPM | ||
Through Bushes and Briars | Peter Breiner, Don Gillis | A Minor | 2 | 8A | 109 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
4 Mazurkas : No. 4. Sueno | Norbert Kraft | C Major | 0 | 8B | 195 BPM | ||
Sonatina canonica, Op. 196: III. Fandango en Rondeau | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | A Minor | 2 | 8A | 113 BPM |