Dies Natalis, Op.8: 1. Intrada
- テンポ
- 82
- キー
- C Minor
- キャメロットミュージックキー
- 5A
Dies Natalis, Op.8: 1. Intrada - Gerald Finzi, Aurora Orchestra, Nicholas Collon 情報
- 音響性
- 92%
- ダンサビリティ
- 8%
- エネルギー
- 9%
- 手段性
- 87%
- 活気
- 33%
- ラウドネス
- 61%
- 話し言葉
- 5%
- 価数
- 4%
- 人気
- 9%
- ラウドネス
- -23.148 dB
まとめ
"Dies Natalis, Op.8: 1. Intrada" by Gerald Finzi, Aurora Orchestra, Nicholas Collon was released on January 15, 2016. With this song being about 5 minutes long, at 5:26, "Dies Natalis, Op.8: 1. Intrada" by Gerald Finzi, Aurora Orchestra, Nicholas Collon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gerald Finzi, Aurora Orchestra, Nicholas Collon's "Introit: The Music of Gerald Finzi" album is number 14 out of 19. Dies Natalis, Op.8: 1. Intrada is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dies Natalis, Op.8: 1. Intrada テンポ
We consider the tempo marking of Dies Natalis, Op.8: 1. Intrada by Gerald Finzi, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Dies Natalis, Op.8: 1. Intrada キー
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | 25 Études faciles et progressives, Op. 100: No. 9, La chasse | Friedrich Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 78 BPM | |
 | Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | |
 | Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | |
 | Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | |
 | Abschiedsserenade: I | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | C Major | 0 | 8B | 71 BPM | |
 | Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | |
 | Pelléas et Mélisande, Op. 80: 5. Andante | Gabriel Fauré, Rotterdam Philharmonic Orchestra, David Zinman | A Minor | 0 | 8A | 84 BPM | |
 | Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | |
 | Piano Concerto No.2 in B flat, Op.83: 3. Andante - Più adagio | Johannes Brahms, Claudio Arrau, Royal Concertgebouw Orchestra, Bernard Haitink | F Major | 0 | 7B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records