"Psalm 150, Op. 67" by Benjamin Britten, Patricia Werrell, Michael Lisicky, David Niethamer, David Foster, Laura Roelofs, Margie Heath, Molly Ruze, William Comita, Paul Bedell, Jeffrey Smith, Upper School Chorale of St. Catherine's School, Richmond, Nick Stephenson was released on 1999. Psalm 150, Op. 67 is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Upper School Chorale of St. Catherine's School, Richmond, Nick Stephenson's "Jerusalem: Music for Girls' Voices" album is number 1 out of 17. Psalm 150, Op. 67 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 150, Op. 67 by Benjamin Britten, Patricia Werrell, Michael Lisicky, David Niethamer, David Foster, Laura Roelofs, Margie Heath, Molly Ruze, William Comita, Paul Bedell, Jeffrey Smith, Upper School Chorale of St. Catherine's School, Richmond, Nick Stephenson to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : I Molto moderato - Allegro moderato | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Britten: War Requiem, Op. 66: IV. Dies irae - " Dies irae, dies illa" (Chorus) | Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Requiem in D Minor, Op. 48: Libera me | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | B♭ Major | 1 | 6B | 175 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): II. Merlyn's Tune and Tree Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | D Major | 1 | 10B | 78 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Brandenburg Concerto No. 6 in B flat, BWV 1051: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM |