"Violin Concerto No.2 "The American Four Seasons" - Song No.1" by Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra was released on October 12, 2010. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Philip Glass : Violin Concerto No.2 "The American Four Seasons" (10.4.17)". In this album, this song's track order is #3. In terms of popularity, Violin Concerto No.2 "The American Four Seasons" - Song No.1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No.2 "The American Four Seasons" - Song No.1 by Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Hope | Philip Glass, Paul Leonard-Morgan | F Major | 2 | 7B | 84 BPM | ||
Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | ||
Mozart-Adagio | Arvo Pärt, Vladimir Spivakov, Viacheslav Marinyuk, Sergei Bezrodnyi | F Minor | 0 | 4A | 130 BPM | ||
Images: Interlude 5 | Howard Skempton, Marielle Labèque | E Major | 0 | 12B | 80 BPM | ||
Mit Fried und Freud ich fahr dahin, Bux WV 76: Lamentation | Orchestra of the Swan, Nicky Spence, Francesca Moore-Bridger | A Minor | 1 | 8A | 145 BPM | ||
Partita No. 2 for Solo Cello: Movement IV | Philip Glass, Matt Haimovitz | G Major | 0 | 9B | 86 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM | ||
12 Caprices, Op. 25: No. 7. Maestoso | Alfredo Piatti, Soo Bae | C Major | 1 | 8B | 107 BPM | ||
La nativité du Seigneur: 7. Jésus accepte la souffrance | Olivier Messiaen, Olivier Latry | F Major | 0 | 7B | 85 BPM |